Gleb Kanasevich is an internationally acclaimed clarinet soloist, composer, experimental music collaborator, chamber musician, and contemporary music specialist. He has appeared as a soloist with the Baltimore Symphony Orchestra, Belarus National Philharmonic, soundSCAPE Ensemble, Atlantic Music Festival Orchestra, Peabody Symphony Orchestra, and more. As a resident artist, Gleb has been featured on the stages of Spoleto Festival USA, soundSCAPE Festival for Contemporary Music (guest artist faculty in 2013/14/15), 50th SCI National Conference, Audeamus International Music Festival in Zagreb, MusicArte Panama, and has been invited as a visiting artist at various educational institutions, like Rice University, University of Alaska, University of Oxford, Brandeis University, Northern Arizona University, Montclair State University, and more.
Since 2013, Gleb has been a core member of Ensemble Cantata Profana – a group based in New York City and the recipient of the 2016 ASCAP Award for Adventurous Programming of Contemporary Music. The ensemble has since garnered significant critical acclaim from publications like the New York Times, New Yorker, Boston Globe, and has established a strong foundation with its sister project – Heartbeat Opera. He has also joined groups like Nunc Players, Callithumpian Consort, soundSCAPE Faculty Ensemble, Lunar Ensemble, and the Lydian String Quartet for new music residencies, conferences, and festival concerts.
In 2017 Gleb has been performing with Ulysses Ensemble, a new music group comprised of outstanding emerging young professionals and organized by Ulysses Network in Europe. Together, the ensemble has performed feature concerts under Heinz Holliger, Jean-Philippe Wurtz, and others at ManiFeste 2017 in Paris, Aldeburgh Festival, and the Royaumont Foundation. At this point, he has premiered over 300 works of living composers and has worked closely with a tremendously diverse list of figures across a wide a variety of musical genres and in multimedia performance settings.
Currently in pursuit of a PhD degree in Composition and Theory at Brandeis University in Boston, MA, Gleb holds a Masters Degree (2013) in clarinet from the Yale School of Music (studied with David Shifrin), and a Bachelor of Music Degree (2011) in clarinet from the Peabody Conservatory of Music, where he studied under New York Philharmonic's principal clarinetist Anthony McGill. His works have been interpreted by Ensemble Intercontemporain, International Contemporary Ensemble, Spoleto Festival Orchestra, Lydian String Quartet, Orchestre Philarmonique de Radio France, Ensemble Cantata Profana, and many more. He currently works primarily with feedback, noise, and live electronics, and will take his work for solo clarinet and electronics “Subtraction” to a number of contemporary music festivals in 2018. Gleb also works as a curator/video maker for the online new music database and audio/video/score resource ScoreFollower/Incipitsify.
*click on the underlined titles to hear/watch my performance of the piece*
SOLO WITH ELECTRONICS
Boulez, Pierre – Dialogue de l’ombre double
Camci, Alican – Eklenip eklemlenmeyen zaman
Cuong, Viet – Naica (bass clarinet)
Davis, Nathan – Dowser (bass clarinet)
Kanasevich, Gleb – Subtraction
Poliks, Marek – lamina hollow volume
Radulescu, Horatiu – inner time
inner time II
Randall-Meyers, Brendon – Nausea
Reich, Steve – New York Counterpoint
Steiger, Rand – Cyclone
Tipp, Devon – Augury III
Ueno, Ken – I screamed at the sea until the nodes swelled…
Wang, Fay – Inside Insides (e-flat, b-flat, and bass)
SOLO WITHOUT ELECTRONICS
Bach, Johann Sebastian – Flute Partita in a minor
Barrett, Richard – CHARON (bass clarinet)
Knospend-Gespaltener (c clarinet)
Berio, Luciano – Sequenza IXa
Gesti (soprano recorder)
Boulez, Pierre – Domaines
Bussad, Rodrigo – Ignis Fatuus
Camci, Alican – Bosluk ve telafi
Cheah, Victoria – to be kind
Cuong, Viet – Zanelle
Denisov, Edison – Sonata
Donatoni, Franco – Clair
Erber, James – Strange Moments of Intimacy (c clarinet)
Ferneyhough, Brian – Time and Motion Study I
Finnissy, Michael – Marrngu (e-flat clarinet)
Harrison, Bryn – Open 2
Hasanova, Rahilia – Agog
Penetrations (bass clarinet)
Hernandez, Carlos – Linea (bass clarinet)
Kanasevich, Gleb – [BROWN]d (soprano recorder)
Koskelin, Olli – Exalte
Lachenmann, Helmut – Dal niente
McBride, Nigel – Douzieme Journee (bass clarinet)
Power, Ian – swathe
Rapaport-Stein, Jeremy – A Ramblin’ Fool
Rosza, Miklos - Sonata
Saunders, Rebecca – Cerulean (bass clarinet)
Silvestrov, Valentin – Misterioso (clarinet and piano, single player)
Telemann, Georg Philipp – XII Fantasies
CLARINET AND PIANO
Bach, Johann Sebastian – Sonata for Flute and Keyboard No.5 (e-flat clarinet)
Barrett, Richard – Flechtwerk
Beethoven, Ludwig van – Sonata Op.17 (on bass clarinet or basset horn)
Berg, Alban – Vier Stucke
Birtwistle, Harrison – Verses
Brahms, Johannes – Sonatas No.1 and No.2
Eckardt, Jason – Rendition (bass clarinet)
Finnissy, Michael - Sonata
Harvey, Jonathan – Transformations of “Love Bade Me Welcome”
Klatzow, Peter – Sonata
Maxwell-Davies, Peter – Hymnos
Muczynski, Robert – Time Pieces
Poulenc, Francis – Sonata
Prokofiev, Sergei – Flute Sonata Op.94
Saint-Saens, Camille – Sonata
Schumann, Robert – Drei Romanzen
Yun, Isang – Riul
WITH STRING QUARTET
Allas, Daniel – 3562768%ERROR
Brahms, Johannes – Quintet
Denisov, Edison – Clarinet Quintet
Feldman, Morton – "Clarinet and String Quartet"
Kim, Matthew NamHoon – Wasserfarbe
Lindberg, Magnus – Clarinet Quintet
Mozart, Wolfgang Amadeus – Quintet
Weber, Carl Maria von – Quintet
Adams, John – Gnarly Buttons (for clarinet and large ensemble)
Berio, Luciano – Concertino
Copland, Aaron – Concerto
Corigliano, John – Concerto
Crussell, Bernard Henrik – Concerto No.3 for clarinet and orchestra
Ferneyhough, Brian – La Chute D’Icare (for clarinet and ensemble)
Globokar, Vinko – Ausstrahlugen (concerto for an indeterminate soprano woodwind instrument and 22 players)
Hoffmeister, Franz Anton – Concerto for clarinet and orchestra in E-flat Major
Kanasevich, Gleb – Cycle (for clarinet, ensemble, and tape)
Kim, Solbong – Concerto for clarinet and orchestra
Molter, Johann Melchior – Concerto No. 1 in A major for D clarinet and orchestra
Mozart, Wolfgang Amadeus – Concerto in A Major, K.622
Nielsen, Karl – Concerto for clarinet and orchestra
Scelsi, Giacinto – Kya (for clarinet and ensemble)
Stamitz, Johann – Concerto No.4 for clarinet, violin, and orchestra
Spohr, Louis – Concerto No.1
Concerto No.4 for A clarinet and orchestra
Telemann, Georg Philipp – Concerto for two chalumeaux and strings
Toyotomi, Devon – Krev/Sanglots (concerto for bass clarinet and chamber ensemble)
Weber, Carl Maria von – Concertino
Yeats, Marc – Shapeshifter (concerto for E-flat clarinet and chamber ensemble)
Liquid Music (for clarinet and large ensemble)
Xenakis, Iannis – Echange (concerto for bass clarinet and large ensemble)
Billone, Pierluigi – 1+1=1 (two bass clarinets)
Carter, Eliot – Espirit Rude/Espirit Doux (with flute)
Cheah, Victoria – Telephone: Careless Whisper (with marimba)
Lim, Liza – Inguz (with cello)
Furrer, Beat – Apoklisis (two bass clarinets)
Haas, Georg Friedrich – Fantasien (with viola)
Jolivet, Andre – Sonatine (with flute)
Kanasevich, Gleb – time enough at last (with cello)
Muczynski, Robert – Duos (with flute)
Pavia, Marcela – Amancay (with guitar)
Poulenc, Francis – Sonata for two clarinets
Scelsi, Giacinto – Ko-Lho (with flute)
Stockhausen, Karlheinz – Ave (with alto flute)
Tiensuu, Jukka – Plus II (with cello)
Villa-Lobos, Heitor – Choros No.2 (with flute)
Wanamaker, Gregory – Duo Sonata (with alto saxophone)
Xenakis, Iannis – Charisma (with cello)
Aperghis, Georges – Seven Sins of Love
Bach, Johann Sebastian – Trio Sonata from “The Musical Offering”
Bartok, Bela – Contrasts
Beethoven, Ludwig van – Trio Op.11
Brahms, Johannes – Trio Op.114
Bussad, Rodrigo – Early Yang (with cello and piano)
Denisov, Edison – Ode (with percussion and piano)
Furrer, Beat – Aer (with cello and piano)
Gardiner, William – Hebbian Theory (with violin and piano)
Gorecki, Henryk Mikolaj – Lerchenmusik (with cello and piano)
Khachaturian, Aram – Trio (with violin and piano)
Kurtag, Gyorgi – Hommage a R. Schumann (with viola and piano)
Lachenmann, Helmut – Trio Fluido (with viola and marimba)
Allegro Sostenuto (with cello and piano)
Milhaud, Darius – Suite for violin, clarinet, and piano
Muczynski, Robert – Fantasy Trio (with cello and piano)
Puts, Kevin - …And Legions Will Rise (with violin and marimba)
Schumann, Robert – Fairy Tales (with viola and piano)
Tajcevic, Marko – Seven Balkan Dances (with cello and piano)
Ustvolskaya, Galina – Trio (with violin and piano)
List of works
*click on the underlined titles to hear/watch a representative recording of a piece*
your fortress – for string quartet and electronics. 16'
Subtraction – (ongoing project with frequent revisions, additions, and edits) new performance method for clarinet. 45'
4/26/2017 - premiered by Gleb Kanasevich, Boston Sculptors Gallery.
Gnaw – for B-flat trumpet, two electric guitars, and live electronics. 17'
1/27/2017 - premiered by International Contemporary Ensemble, Brandeis University.
Song – for amplified prepared piano. 32'
4/26/2017 - premiered by Jared Redmond, Brandeis University.
Soil – for computer-generated feedback, live processing, and 8 speakers. 27'
11/4/2016 - premiered at Brandeis University.
Solo – for bass clarinet, trombone, viola, cello, and prepared piano. 7'
7/1/2016 - premiered by Ensemble Intercontemporain at ManiFeste 2016, Le Centquatre, Paris.
Frail – for flute/piccolo, electric violin, and percussion. 18'
Commissioned and premiered by Raoul Cho (flute), with support from the Royal School of Music, Toronto, Canada. 5/6/2016 – premiere by Raoul Cho, Andrea Tyniec, and Dave Burns at the Royal School of Music, Toronto, Canada.
time enough at last - for modified clarinet and cello. 45'
Commissioned by Audeamus International Music Festival. 11/25/2015 – premiered by Gleb Kanasevich and Dorotea Racz at the opening concert of the inaugural Audeamus International Music Festival, Zagreb, Croatia.
[BROWN]d - for solo soprano recorder. 14'
5/4/2015 – premiered by Gleb Kanasevich, Brandeis University.
Iris (an icicle) - for six channel surround sound fixed media. 14'
4/25/2015 – first public playback at Brandeis University, Bernstein Festival of the Arts.
verpflichtet II - for 14 players with amplification. 16'
6/3/2016 – premiered by Spoleto Festival Orchestra, Spoleto Festival USA, Charleston, SC.
Suono infinito - for cello and prepared piano doubling melodica. 24'
3/8/2015 – premiered by David Russell and Geoffrey Burleson, Brandeis University.
...she was but an apparition... - for string quartet. 20'
7/29/2015 – premiered by Miranda Cuckson, Yuri Namkung, Lois Martin and Joshua Gordon at Wellesley Composers Conference, Wellesley College, MA.
installazioni/moduli/versi - for cello and piano. 14'
12/27/2013 – premiered by Racz/Samogray Duo at Lisinski Concert Hall, Zagreb, Croatia on December 27, 2013.
[PINK]c - for clarinet, viola, percussion and synthesized sound. 20'
Commissioned and recorded by Lunar Ensemble in October, 2013. Public live performances of this work are allowed only in extremely large and reverberant spaces (at least 8-second decay). The original CD recording is the only other permissible means of presentation.
Moment d'extase/concatènation – for oversized symphony orchestra. 6'
11/17/2013 - premiered by Zephyrus Orchestra Project, Yale University.
Fields - for solo piano (2010, recomposed in 2013). 23'
3/29/2015 – premiered by Illya Filshtinskiy, Spectrum, NYC.
Plastiques - for cello and double bass. 13'
Commissioned by Fundacion Musica AntiquaNova, Argentina. 7/12/2015 - premiered by Felix Fan, cello and Matt Kline, double bass at soundSCAPE Festival, Maccagno, Italy.
Romanze per me - for solo guitar. 12'
4/17/2013 - premiered by Alexander Milovanov, Yale School of Music.
DUDK*=*FLOT - for solo flute. 14'
9/26/2013 – premiered by Lisa Cella, University of Maryland, Baltimore County.
skrip/\viol - for solo violin. 40'
naturel/primitif - for basset horn in F and guitar. 11'
5/2/2012 - premiered by Gleb Kanasevich on basset horn and Alexander Milovanov on guitar, Yale School of Music.
Cycle – for clarinet, guitar, percussion, and tape. 24'
10/27/2011 – second half premiered by Gleb Kanasevich on clarinet, Alexander Milovanov on guitar and Victor Caccese on percussion, Yale School of Music. 5/4/2011 – first half premiered by Gleb Kanasevich and performance fellows at Peabody Conservatory.